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Paolina Varbic
hkova
Everything is constantly in flux, constantly changing. Like observing something, the object first exists somewhere ‘out there’, and then exists in our perception, where it changes – it becomes an idea. If I create an artwork out of this idea I will change it again, and then again through the perception of the viewer.
That is what interests me, the process of how things reflect upon each other and the factors that make the change possible. But it is the connection between ‘the past’ and ‘the present’, their transformation and symbiosis, that attracts me the most. I like to put myself into this changing state of being, in order to experience the transition and state of ‘in-between-ness’. Through this I explore the nature of self identity
Tarantula
I'm looking for a way to fade boundaries. Boundaries outlining how we experience our surroundings but also cultural boundaries defining how we are supposed to behave from a human point of view
.
I believe in freedom of mind, freedom from man made pain born out of our craving to control others. We create fear and define death as the ultimate unpleasant happening of life. We scare people of an early death and threaten them with invented weapons to stay in our conceived borders.. Im trying to merge the pain and the fear with beauty. I believe this will encourage the viewer to search for the meaning by looking
further than what they
are accustomed to.
Suzanne Justice
I am interested in exploring the psychology derived from the obsession between and with in extreme self-control, personal feelings about shape, and involuntary consumption. The internal and secretive feelings within this obsession that lingers, comes many forms of duality. It's a personal yet universal narrative. It's the good and evil, thick and thin, fat and skinny, full and starving, functioning and disabling, in control and out of control.
Tereza Teluchova
The crude fascination that fuels my artistic research is embedded in the essential forms of lines and patterns. I find these two elements essential because I believe they have a great potential to be applied in many different ways
. Using lines and patterns enables me to explore technical features clashing together with the organic ones while drawing inspiration from the academic subjects like mathematics and biology.
To express this responsive ideology I mostly create installations and paintings which I perceive as architectural objects that interact with their surroundings.
Jonathan hurry
I conceive of my work in terms of an epistemological and meditative investigation of the nature of unity. How can something which seems complex and divisible nevertheless be one thing? What is the nature of this complex oneness? These are the questions
that relate to my artistic activity. I hope to investigate the unity between such relata as mind and matter, action and intention, change and changelessness, universal and particular within my work, and to experience a physical, sensual and intellectual contact with the quality of unity in the act of making. I hope to produce objects which can be viewed as a means to grasping this quality visually, and which open up a space for the speculative discussion of the extension of unity in the external, social world.